Showing posts with label ABEL KORZENIOWSKI. Show all posts
Showing posts with label ABEL KORZENIOWSKI. Show all posts

Tuesday, March 2, 2010

Abel Korzenowski set to score Rabbit Hole


Abel Korzenowski, composer of last year's incredibly beautiful A SINGLE MAN, is back with a new project. According to filmmusicreporter, he's been hired to score the drama Rabbit Hole. The movie directed by John Cameron Mitchell (Hedwig and the Angry Inch, Shortbus) stars Nicole Kidman and Aaron Eckhart.

In 2007 a movie adaptation of the play was announced, with Lindsay-Abaire to write the screenplay. Nicole Kidman will star as Becca, the character originally played by Nixon. She will also produce the film. Aaron Eckhart has been signed to play the father Howie. John Cameron Mitchell is directing. Other well-known actors to participate include Dianne Wiest, Tammy Blanchard, Giancarlo Esposito and Sandra Oh.

The film will be mainly shot in Douglaston and Little Neck, New York. It will be released in 2010.

More at: http://filmmusicreporter.wordpress.com/2010/03/02/korzenowski-set-to-score-rabbit-hole/

Thursday, December 17, 2009

A special note on ABEL KORZENIOWSKI's "A SINGLE MAN"

There's been much talk for a score from this year which has been described as particularly beautiful and very inspired. With his most recent nomination for an award in the best original score category at Golden Globes awards this year for the film A Single Man, Korzeniowski is bound to attract attention from the film music community and other music lovers.

Listen to the score A Single Man at his site (a few cues from the movie and other movies also)

http://www.abelkorzeniowski.com/


and also at the official film site: http://www.asingleman-movie.com/#/home

There are 10 cues streaming. By clicking on the pause button of the film, it won't be interrupted.

Additionally, at Korzeniowski's site, you can listen for his music from the film Battle for Terra

There is about 17 minutes of the score presented at this link:

http://www.abelkorzeniowski.com/archives/58


Thanks to Martin Provost