Showing posts with label wolfman. Show all posts
Showing posts with label wolfman. Show all posts

Saturday, January 30, 2010

DANNY ELFMAN's "Wolfman" [CD] details

This CD will ship on or after 2/23/10.



Benicio Del Toro
Anthony Hopkins
Emily Blunt

Inspired by the classic Universal film that launched a legacy of horror, The Wolfman brings the myth of a cursed man back to its iconic origins. Oscar® winner Benicio Del Toro stars as Lawrence Talbot, a haunted nobleman lured back to his family estate after his brother vanishes. Reunited with his estranged father (Oscar® winner Anthony Hopkins), Talbot sets out to find his brother…and discovers a horrifying destiny for himself. Lawrence Talbot’s childhood ended the night his mother died. After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget. But when his brother’s fiancée, Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns home to join the search. He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector named Aberline (Hugo Weaving) has come to investigate. As he pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full. Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature in the woods surrounding Blackmoor. But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself…one he never imagined existed.

The classically Gothic, Transylvania-flavored score is by Danny Elfman.

Universal opens THE WOLFMAN nationwide on February 12.

Varèse Sarabande Catalog #: 302 067 010 2
Release Date: 02/23/10

Track List:

1. Wolf Suite Pt 1 (4:12)
2. Wolf Suite Pt 2 (5:55)
3. Prologue (2:57)
4. Dear Mr. Talbot (1:45)
5. Bad Moon Rising (0:59)
6. Gypsy Massacre (2:24)
7. Wake Up, Lawrence (5:17)
8. The Funeral (4:13)
9. The Healing Montage (2:50)
10. First Transformation (3:30)
11. You Must Go (3:46)
12. The Antique Shop (3:32)
13. Country Carnage (2:31)
14. Be Strong (2:31)
15. The Madhouse (5:32)
16. Reflection / 2nd Transformation (4:12)
17. The Traveling Montage (4:27)
18. The Finale (4:11)
19. Wolf Wild #2 (1:27)

Friday, January 29, 2010

Listen to a clip from DANNY ELFMAN's "WOLFMAN"


Click this link here, to listen to a 30'' clip from the upcoming original score for WOLFMAN, by Danny Elfman.

CLICK HERE FOR THE SOUND CLIPS

Tuesday, January 26, 2010

DANNY ELFMAN'S "WOLFMAN" score to be released on [CD]


After being rejected, replaced with Paul Haslinger and then........unrejected, Elfman's score is finally back on the film's final cut and it's getting a cd release via Varese Sarabande.

Below you'll find details for the cd release as announced by the label and here's a refreshement of our memories from last week:

THE WOLFMAN
Original Motion Picture Soundtrack

Music Composed by Danny Elfman
Benicio Del Toro
Anthony Hopkins
Emily Blunt

Inspired by the classic Universal film that launched a legacy of horror, The Wolfman brings the myth of a cursed man back to its iconic origins. Oscar� winner Benicio Del Toro stars as Lawrence Talbot, a haunted nobleman lured back to his family estate after his brother vanishes. Reunited with his estranged father (Oscar� winner Anthony Hopkins), Talbot sets out to find his brother…and discovers a horrifying destiny for himself. Lawrence Talbot’s childhood ended the night his mother died. After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget. But when his brother’s fiancιe, Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns home to join the search. He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector named Aberline (Hugo Weaving) has come to investigate. As he pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full. Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature in the woods surrounding Blackmoor. But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself…one he never imagined existed.

The classically Gothic, Transylvania-flavored score is by Danny Elfman.

Universal opens THE WOLFMAN nationwide on February 12.

Varθse Sarabande Catalog #: 302 067 010 2
Release Date: 02/23/10

Thursday, January 21, 2010

Elfman’s score back in ‘The Wolfman’

After being rejected and replaced with Paul Haslinger (!) Elfman's previously rejected score gets back on the picture. Certainly a not very proud situation for anyone to be in, especially if your name starts with P and your surname with an H. Oh well.

Here's what Mikael Carlsson writes about it:

"Following the latest twist in what has to be one of the most unusual chain of events in the film music business lately, Joe Johnston’s upcoming horror film The Wolfman will now feature original music by Danny Elfman, who was the original composer on the film but had his score for the film rejected in November. Universal Pictures has confirmed to MovieScore Magazine that Elfman’s music is back in the picture, and it appears that Paul Haslinger, the replacement composer is not working on the film."

http://moviescoremagazine.com/2010/01/elfmans-score-back-in-the-wolfman/

Saturday, November 7, 2009

The industry rejects DANNY ELFMAN's symphonic score for "WOLFMAN"

It seems that - despite the fact that for the time being it's still presented as a "schedule conflict" event, Elfman's "by all accounts traditional, grandly gothic effort a la Kilar’s Bram Stoker’s Dracula." [as presented in the original article which i am linking to below] sounded too old-fashioned to someone's ears.

So, they decided that the movie would benefit more from what's possibly going to turn around as a cliched, dark and moody electronic-driven score with some guitars here and there, a la usual Paul Haslinger. That, in the best of cases or otherwise - plain noise.

Read the unsetting news' piece over at cinemusic.net, by clicking HERE.