IFMCA - the international film music critics association - awards 2009 - NOMINEES ANNOUNCED

FOR IMMEDIATE RELEASE THE INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION (IFMCA) ANNOUNCES ITS 2009 NOMINEES FOR SCORING EXCELLENCE MICHAEL GIACCHINO RECEIVES A RECORD NINE NOMINATIONS FOR 2009


JANUARY 29, 2010-- The International Film Music Critics Association announces its list of excellence in musical scoring for 2009 with composer Michael Giacchino receiving nine individual nominations, the most for any composer in a given year since the Association began issuing awards in 2004. Along with multiple mentions for his score to the Disney Pixar movie UP and JJ Abrams’ reinvented STAR TREK, Giacchino receives nominations for his scores to the TV series LOST as well as the documentary EARTH DAYS. Giacchino is also nominated for Composer of the Year along with Alexandre Desplat, James Horner, Christopher Young and Brian Tyler.

Both UP and STAR TREK are nominated for Score of the Year, along with James Horner’s score to the worldwide blockbuster AVATAR and Christopher Young’s score to Sam Raimi’s DRAG ME TO HELL. These film scores are tied with the most nominations this year at four noms each. Alexandre Desplat’s score to THE TWILIGHT SAGA: NEW MOON rounds out the category.

In the category of Breakout Composer, the Association took notice of scores by up-and-coming composers Henry Jackman (MONSTERS VS ALIENS), Abel Korzeniowski (A SINGLE MAN and BATTLE FOR TERRA), James Peterson (THE RED CANVAS), Clinton Shorter (DISTRICT 9) and Austin Wintory (CAPTAIN ABU RAED, GRACE, MAKE THE YULETIDE GAY).

The nominations by the IMFCA, which has members from around the world, reflect the Association’s global perspective. International nominees include Alejandro Amenábar’s latest movie AGORA with a score by Oscar winner Dario Marianelli; Giuseppe Tornatore’s semi-autobiographical BAARÌA with a score by Ennio Morricone; Australian composer Christopher Gordon’s score to Bruce Beresford’s MAO’S LAST DANCER, about ballet dancer Li Cunxin; as well as the Spanish documentary GARBO: EL ESPÍA with a score by Fernando Velázquez.

The International Film Music Critics will announce the winners of its Sixth Annual Awards on February 26, 2010.

The nominees are:

FILM SCORE OF THE YEAR

• AVATAR, music by James Horner
• DRAG ME TO HELL, music by Christopher Young
• STAR TREK, music by Michael Giacchino
• THE TWILIGHT SAGA: NEW MOON, music by Alexandre Desplat
• UP, music by Michael Giacchino

FILM COMPOSER OF THE YEAR

• Alexandre Desplat
• Michael Giacchino
• James Horner
• Brian Tyler
• Christopher Young

BREAKOUT COMPOSER OF THE YEAR

• Henry Jackman
• Abel Korzeniowski
• James Peterson
• Clinton Shorter
• Austin Wintory

BEST ORIGINAL SCORE FOR A DRAMA FILM

• AGORA, music by Dario Marianelli
• BAARÌA, music by Ennio Morricone
• CREATION, music by Christopher Young
• MAO’S LAST DANCER, music by Christopher Gordon
• A SINGLE MAN, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A COMEDY FILM

• COUPLES RETREAT, music by A.R. Rahman
• DUPLICITY, music by James Newton Howard
• THE INFORMANT!, music by Marvin Hamlisch
• JULIE & JULIA, music by Alexandre Desplat
• LESBIAN VAMPIRE KILLERS, music by Debbie Wiseman

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

• G.I. JOE: THE RISE OF COBRA, music by Alan Silvestri
• LUCKY LUKE, music by Bruno Coulais
• THE RED CANVAS, music by James Peterson
• SHERLOCK HOLMES, music by Hans Zimmer
• UNDER THE MOUNTAIN, music by Victoria Kelly

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

• AVATAR, music by James Horner
• THE IMAGINARIUM OF DOCTOR PARNASSUS, music by Mychael Danna and Jeff Danna
• KNOWING, music by Marco Beltrami
• STAR TREK, music by Michael Giacchino
• THE TWILIGHT SAGA: NEW MOON, music by Alexandre Desplat

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

• DRAG ME TO HELL, music by Christopher Young
• IMAGO MORTIS, music by Zacarías M. de la Riva
• IN THE ELECTRIC MIST, music by Marco Beltrami
• THE KILLING ROOM, music by Brian Tyler
• TRICK ‘R TREAT, music by Douglas Pipes

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• A CHRISTMAS CAROL, music by Alan Silvestri
• CORALINE, music by Bruno Coulais
• FANTASTIC MR. FOX, music by Alexandre Desplat
• THE PRINCESS AND THE FROG, music by Randy Newman
• UP, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

• BROTHERS AT WAR, music by Lee Holdridge
• EARTH DAYS, music by Michael Giacchino
• GARBO: EL ESPÍA, music by Fernando Velázquez
• HOME, music by Armand Amar
• UNDER THE SEA 3D, music by Micky Erbe and Maribeth Solomon

FILM MUSIC COMPOSITION OF THE YEAR

• AVATAR – “War,” music by James Horner
• DRAG ME TO HELL – “Concerto to Hell,” music by Christopher Young
• THE RED CANVAS – “Ballet for Brawlers,” music by James Peterson
• STAR TREK – “Enterprising Young Men,” music by Michael Giacchino
• UP – “Married Life,” music by Michael Giacchino

BEST ORIGINAL SCORE FOR TELEVISION

• BATTLESTAR GALACTICA [SEASON 4.5], music by Bear McCreary
• CAPRICA, music by Bear McCreary
• LIFE, music by George Fenton
• LOST [SEASON 5], music by Michael Giacchino
• YELLOWSTONE, music by Edmund Butt

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• ASSASSIN’S CREED II, music by Jesper Kyd
• CALL OF DUTY: MODERN WARFARE 2, music by Lorne Balfe and Hans Zimmer
• HARRY POTTER AND THE HALF-BLOOD PRINCE, music by James Hannigan
• NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN, music by Chris Tilton
• SPORE HERO, music by Winifred Phillips

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE

• BACK TO THE FUTURE, music by Alan Silvestri; Douglass Fake, producer (Intrada)
• INNERSPACE, music by Jerry Goldsmith; M.V. Gerhard and Mike Matessino, producers (La-La Land)
• THE JOURNEY OF NATTY GANN, music by James Horner; James Horner, Simon Rhodes and Douglass Fake, producers (Intrada)
• STAR TREK II: THE WRATH OF KHAN, music by James Horner; Lukas Kendall, producer (Film Score Monthly)
• TWILIGHT ZONE: THE MOVIE, music by Jerry Goldsmith; Bruce Botnick, Lukas Kendall and Mike Matessino, producers (Film Score Monthly)

BEST RE-RECORDING OF AN EXISTING SCORE

• THE CHARGE OF THE LIGHT BRIGADE, music by Max Steiner, cond. William Stromberg; Anna Bonn, John Morgan and William Stromberg, producers (Tribute Film Classics)
• EXODUS, music by Ernest Gold, cond. Nic Raine; James Fitzpatrick, producer (Tadlow)
• THE PRINCE AND THE PAUPER, music by Erich Wolfgang Korngold, cond. William Stromberg; Anna Bonn, John Morgan and William Stromberg, producers (Tribute Film Classics)

BEST FILM MUSIC COMPILATION ALBUM OR BOX SET

• 40 BANDES ORIGINALES POUR 40 FILMS, music by Vladimir Cosma; Vladimir Cosma, producer (Larghetto Music)
• DAVID RAKSIN AT M-G-M, music by David Raksin; Lukas Kendall, producer (Film Score Monthly)
• THE FILM MUSIC OF MISCHA SPOLIANSKY, music by Mischa Spoliansky; Philip Lane, Ralph Couzens and Neil Varley, producers (Chandos)
• HOWARD SHORE: COLLECTOR’S EDITION Vol. 1, music by Howard Shore; Jonathan Schultz, producer (Howe)
• NORTHWEST PASSAGE: CLASSIC WESTERN SCORES FROM M-G-M Vol. 2 (1940-1974), music by various composers; Lukas Kendall, producer (Film Score Monthly)

FILM MUSIC RECORD LABEL OF THE YEAR

• Film Score Monthly
• Intrada
• La-La Land Records
• MovieScore Media
• Varèse Sarabande

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The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing about original film and television music.

The IFMCA was originally formed in the late 1990s as the now-defunct “Film Music Critics Jury” by editor and journalist Mikael Carlsson, a regular contributor to filmmusicradio.com and filmmusicmag.com, and the owner of the Swedish independent film music label MovieScore Media.

Since its inception, the IFMCA has grown to comprise over 50 members from countries as diverse as Australia, Belgium, Canada, Cyprus, France, Germany, Greece, Ireland, Italy, the Netherlands, Poland, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.

Previous IFMCA Score of the Year Awards have been awarded to Alexandre Desplat’s THE CURIOUS CASE OF BENJAMIN BUTTON in 2008, Dario Marianelli’s ATONEMENT in 2007, James Newton Howard’s LADY IN THE WATER in 2006, John Williams’ MEMOIRS OF A GEISHA in 2005 and Michael Giacchino’s THE INCREDIBLES in 2004.

The IFMCA strives to encompass and champion all genres of musical scoring and the composers who excel in them. Running the gamut of writing for theatrical movies to music for video games, composers all have the same job and that is to enhance the vision of their project with music. As such, the IFMCA acknowledges the broad spectrum of ways in which artists can write unique and varied music for their medium.

For more information about the International Film Music Critics Association, its members and the list of past awards, please visit http://www.filmmusiccritics.org or contact press@filmmusiccritics.org.

IFMCA 2008 AWARDS - NOMINEES ANNOUNCED

THE INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION (IFMCA) ANNOUNCES ITS 2008 NOMINEES FOR SCORING EXCELLENCE

THOMAS NEWMAN’S WALL*E LEADS THE FIELD WITH 4 NOMINATIONS

JANUARY 16, 2009. WALL*E, the Pixar movie about a lone robot left on Earth, garnered the most nominations for the fifth annual International Film Music Critics Association Awards for Excellence. The animated film was nominated for four awards: Film Score of the Year, Best Score for an Animated Film, Best Film Composition (for “Define Dancing”) and Composer of the Year for Thomas Newman (who also scored REVOLUTIONARY ROAD and TOWELHEAD in 2008).

Also nominated for Film Score of the Year are the acclaimed THE CURIOUS CASE OF BENJAMIN BUTTON by Alexandre Desplat; the highest grossing movie of the year, THE DARK KNIGHT by James Newton Howard and Hans Zimmer; the Abu Ghraib prison documentary STANDARD OPERATING PROCEDURE by Danny Elfman and the first score by veteran film composer John Williams in three years, INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL.

Danny Elfman received the most individual nominations this year with seven: Composer of the Year; Film Score of the Year and Best Documentary Score for STANDARD OPERATING PROCEDURE; Best Drama Score for MILK; Best Action/Adventure Score and Best Individual Cue for WANTED (“Success Montage”); and Best Fantasy/Science Fiction Score for HELLBOY II: THE GOLDEN ARMY.

In the category of Breakout Composer, the Association took notice of scores by up-and-coming composers Paul Cantelon (THE OTHER BOLEYN GIRL and W.), Andrew Lockington (JOURNEY TO THE CENTER OF THE EARTH and CITY OF EMBER), Nico Muhly (THE READER), Max Richter (WALTZ WITH BASHIR) and Atli Örvarsson (BABYLON A.D. and VANTAGE POINT).

The nominations by the IMFCA, which has members from around the world, reflect the Association’s global perspective. International score nominees include the latest Hayao Miyazaki animated film GAKE NO UE NO PONYO (PONYO ON THE CLIFF) by Joe Hisaishi, the comedy BIENVENUE CHEZ LES CH’TIS by Philippe Rombi, and the made-for-television movie PANE E LIBERTÀ by Ennio Morricone.

The International Film Music Critics will announce the winners of their 5th Annual Awards on February 18, 2009.

FILM CATEGORIES:

FILM SCORE OF THE YEAR
• The Curious Case of Benjamin Button, music by Alexandre Desplat
• The Dark Knight, music by James Newton Howard and Hans Zimmer
• Indiana Jones and the Kingdom of the Crystal Skull, music by John Williams
• Standard Operating Procedure, music by Danny Elfman
• Wall*E, music by Thomas Newman

FILM COMPOSER OF THE YEAR
• Alexandre Desplat
• Danny Elfman
• James Newton Howard
• Thomas Newman
• John Powell

BREAKOUT COMPOSER OF THE YEAR
• Paul Cantelon, The Other Boleyn Girl and W.
• Andrew Lockington, Journey to the Center of the Earth and City of Ember
• Nico Muhly, The Reader
• Max Richter, Waltz with Bashir
• Atli Örvarsson, Babylon A.D. and Vantage Point

BEST ORIGINAL SCORE FOR A DRAMA FILM
• The Boy in the Striped Pajamas, music by James Horner
• Che, music by Alberto Iglesias
• The Curious Case of Benjamin Button, music by Alexandre Desplat
• Defiance, music by James Newton Howard
• Milk, music by Danny Elfman

BEST ORIGINAL SCORE FOR A COMEDY FILM
• Bienvenue Chez Les Ch’tis, music by Philippe Rombi
• Burn After Reading, music by Carter Burwell
• Fool’s Gold, music by George Fenton
• Leatherheads, music by Randy Newman
• Tropic Thunder, music by Theodore Shapiro

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
• The Dark Knight, music by James Newton Howard and Hans Zimmer
• Hancock, music by John Powell
• Indiana Jones and the Kingdom of the Crystal Skull, music by John Williams
• Speed Racer, music by Michael Giacchino
• Wanted, music by Danny Elfman

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
• The Chronicles of Narnia: Prince Caspian, music by Harry Gregson-Williams
• City of Ember, music by Andrew Lockington
• Hellboy II: The Golden Army, music by Danny Elfman
• Inkheart, music by Javier Navarrete
• The Spiderwick Chronicles, music by James Horner

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
• The Happening, music by James Newton Howard
• Låt den rätte komma in (Let the Right One In), music by Johan Söderqvist
• Mirrors, music by Javier Navarrete
• Twilight, music by Carter Burwell
• Valkyrie, music by John Ottman

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• Bolt, music by John Powell
• Gake no ue no Ponyo (Ponyo on the Cliff), music by Joe Hisaishi
• Horton Hears a Who!, music by John Powell
• Wall*E, music by Thomas Newman
• Waltz with Bashir, music by Max Richter

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE
• The Crimson Wing: Mystery of the Flamingos, music by The Cinematic Orchestra
• Dear Zachary: A Letter to a Son about his Father, music by Kurt Kuenne
• Night, music by Cezary Skubiszewski
• Standard Operating Procedure, music by Danny Elfman
• Tabarly, music by Yann Tiersen

FILM MUSIC COMPOSITION OF THE YEAR
• Cloverfield: “Roar! Overture,” music by Michael Giacchino
• The Happening: “Be With You,” music by James Newton Howard
• Valkyrie: “They’ll Remember You,” music by John Ottman and Lior Rosner
• Wall*E: “Define Dancing,” music by Thomas Newman and Peter Gabriel
• Wanted: “Success Montage,” music by Danny Elfman


OTHER CATEGORIES:

BEST ORIGINAL SCORE FOR TELEVISION
• Battlestar Galactica (Season 4), music by Bear McCreary
• John Adams, music by Robert Lane and Joseph Vitarelli
• Merlin, music by Robert Lane
• Lost (Season 4), music by Michael Giacchino
• Pane e Libertà, music by Ennio Morricone

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Afrika, music by Wataru Hokoyama
• Age of Conan: Hyborian Adventures, music by Knut Avenstroup Haugen
• Gears of War 2, music by Steve Jablonsky
• Mercenaries 2: World in Flames, music by Chris Tilton
• Star Wars: The Force Unleashed, music by Mark Griskey

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE
• Baby: Secret of the Lost Legend, music by Jerry Goldsmith; produced by Douglass Fake (Intrada)
• Body Double, music by Pino Donaggio; produced by Douglass Fake (Intrada)
• The Boys from Brazil, music by Jerry Goldsmith; produced by Douglass Fake (Intrada)
• Heavy Metal, music by Elmer Bernstein; produced by Lukas Kendall (Film Score Monthly)
• The Matrix: The Deluxe Edition, music by Don Davis; produced by Don Davis and Robert Townson (Varèse Sarabande)

BEST RE-RECORDING OF AN EXISTING SCORE
• El Cid, music by Miklós Rózsa; conducted by Nic Raine, produced by James Fitzpatrick (Tadlow)
• The Kentuckian/Williamsburg: The Story of a Patriot, music by Bernard Herrmann; conducted William Stromberg; produced by Anna Bonn, John Morgan and William Stromberg (Tribute Film Classics)
• Odna (Alone), music by Dmitri Shostakovich; conducted by Mark Fitzgerald, produced by Hans-Bernhard Bätzing (Naxos)
• She, music by Max Steiner; conducted William Stromberg; produced by Anna Bonn, John Morgan and William Stromberg (Tribute Film Classics)
• An Unfinished Life – Piano Sketches, music by Christopher Young; performed by Dave Guili, produced by Flavio Motalla and Christopher Young (BSX)

BEST COMPILATION ALBUM OR BOX SET
• Gangs of New York/The Journey of Natty Gann/The Scarlet Letter, music by Elmer Bernstein; produced by Robert Townson (Varèse Sarabande)
• Indiana Jones: The Soundtracks Collection, music by John Williams; produced by Laurent Bouzereau (Concord)
• Le Cinéma de Georges Delerue, music by Georges Delerue; produced by Stéphane Lerouge (Universal Music France)
• MGM Soundtrack Treasury, various composers; produced by Lukas Kendall (Film Score Monthly)
• Superman: The Music, various composers; produced by Mike Matessino and Lukas Kendall (Film Score Monthly)

FILM MUSIC RECORD LABEL OF THE YEAR
• Film Score Monthly
• Intrada
• La-La Land
• MovieScore Media
• Varèse Sarabande


The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing about original film and television music.

The IFMCA was originally formed in the late 1990s as the now-defunct “Film Music Critics Jury” by editor and journalist Mikael Carlsson, a regular contributor to filmmusicradio.com and filmmusicmag.com, and the owner of the Swedish independent film music label MovieScore Media.

Since its inception, the IFMCA has grown to comprise over 50 members from countries as diverse as Australia, Belgium, Canada, Cyprus, France, Germany, Greece, Ireland, Italy, the Netherlands, Poland, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.

Previous IFMCA Score of the Year Awards have been awarded to Dario Marianelli’s ATONEMENT in 2007, James Newton Howard’s LADY IN THE WATER in 2006, John Williams’ MEMOIRS OF A GEISHA in 2005 and Michael Giacchino’s THE INCREDIBLES in 2004.

For more information about the International Film Music Critics Association, its members and the list of past awards, please visit http://www.filmmusiccritics.org or contact press@filmmusiccritics.org.

BAFTA AWARDS 2009 - NOMINEES

The full list of nominations for the Orange British Academy Film Awards in 2009 have been announced by Gemma Arterton and Hayley Atwell.

You can view the entire list HERE, at the organization's official website.

As far as the MUSIC category is concerned, here's the list of nominees as presented in www.bafta.org

MUSIC

• THE CURIOUS CASE OF BENJAMIN BUTTON – Alexandre Desplat
• THE DARK KNIGHT – Hans Zimmer, James Newton Howard
• MAMMA MIA! – Benny Andersson, Björn Ulvaeus
• SLUMDOG MILLIONAIRE – A. R. Rahman
• WALL•E – Thomas Newman

It is of particular interest to see that the A.R.Rahman Bollywood trend goes ahead empowered and undisturbed, plus among the range of several excellent scores released this year combined with the large numbers of pretty good musical scores that went out as well, the inclusion of MAMMA MIA! amidst the best scores of the year is quite simply ridiculous, to put it hubmly.

However, The Curious Case of Benjamin Button is a very worthy release from this year, certainly proving that Alexandre Desplat is perhaps the most creative and imaginative film composer working in Hollywood today; his output certainly showcases so.